The Elizabeth Greenshields Foundation was created in 1955 by Charles Glass Greenshields, Q.C., a distinguished Montreal lawyer and amateur artist, in memory of his mother, Elizabeth.
Mr. Greenshields firmly believed that discipline, hard work and serious training in the traditional means of artistic expression were fundamental to the growth and development of the artist. His determination to help dedicated young artists and students pursue the mastery of the traditional techniques and workmanship in painting and sculpture prompted him to establish and endow a foundation for this purpose.
Charles Greenshields personally directed the Foundation that he created for the first 13 years of its existence and remained active in its organization until his death, in 1974. His vision and his mission live on through the foundation that he so generously endowed.
Mr. Greenshields directed that the funds of the Foundation be used to help young artists acquire the necessary training, skills and competence in the traditional artistic methods, specifically excluding all grants to those “who show clearly a disposition to use the purely abstract or non-objective method in their work.”
The philosophy outlined by Mr. Greenshields in his endowment has informed the mission of the Foundation over the previous 60 years and it continues to do so to this day.
The Foundation provides financial assistance, by way of grants, to young artists who are pursuing their studies or are in the early or developmental stage of their career, are working in a representational style of painting, drawing, sculpture or printmaking, and demonstrate the determination and talent to pursue a lifetime career in their art practice.The Foundation does not provide funding for the pursuit of abstract or non-objective art.
The Elizabeth Greenshields Foundation grant is one of the most prestigious grants available to emerging figurative artists, as well as one of the most substantial. It is one of the longest standing, with an illustrious history of recipients spanning more than half a century. It is also unique in its scope, in that it is available to students and artists around the world.
To date, the Foundation has provided financial assistance to some 1800 students and artists in 40 countries. Its grantees are renowned artists, both nationally and internationally, as well as highly respected art professors, teachers and mentors. The Foundation is extremely proud of its grantees and of their accomplishments. A selection of the works of some of the Foundation’s previous grantees can be found in the Gallery.
First grants are in the amount of CAD $15,000 each. Subsequent grants are in the amount of CAD $18,000 each. Grants are made directly to the beneficiaries, not to or through other organizations.
Grantees may not receive more than three grants in their lifetime.
Grants are awarded based solely on the information contained in the Application Form and the supporting documentation and material submitted with it. The Foundation does not conduct personal interviews. The decision of the Foundation is final and is not subject to review or appeal.
“The generous support of The Elizabeth Greenshields Foundation has allowed me a year of focus, self-discipline, and creativity as I continue to explore my practice in the Masters of Fine Arts program at the Nova Scotia College of Art & Design. Your grant will allow me to continue to fund my artistic development in ways that would otherwise have been impossible.”— Elizabeth (Liz) Toohey-Wiese (2013 / 2014 Grantee)
“…The support I received from The Elizabeth Greenshields Foundation was fundamental early in my career as a painter. I couldn't have got my early shows done without the financial assistance of the Foundation. I was able to concentrate 100% on my paintings rather than constantly worry about finding the money to be able to paint for the exhibitions I'd been offered.”— Jenny Saville (1993 / 1996 Grantee)
“…Can I take this opportunity to express my profound gratitude to The Elizabeth Greenshields Foundation. The award allowed me to paint solidly, intensely and without interruption for over two years after leaving Oxford. That period kick-started my career in a way that I have never forgotten.”— Sarah Gillespie (1985 Grantee)
“Receiving your grant has enabled me to meet, befriend and learn from the largest living influence on my work. The grant has also allowed me to gain publicity, meet the family of another enormous influence, travel the world, and, of course, make many more paintings than I would have been able to without the Foundation’s generosity and kindness. I am forever indebted to you. The past year has felt like a dream. Words cannot adequately express my gratitude."— Matthew Adelberg (2013 Grantee)
“I am deeply grateful for the support of The Elizabeth Greenshields Foundation and am overjoyed to report the tremendous impact it has had on my artistic career over the past year. I have met or exceeded all of the goals I set for myself during this funding period. I have created a large body of work that represents a new phase in my artistic output. This work has also garnered the type of attention that means that the audience for my work has grown substantially, and will continue to grow in the future.”— Kristy Gordon (2009 / 2013 / 2015 Grantee)
The Gallery features a selection of the works of some of the grantees of the Foundation.
To see what our grantees are up to, click here.
The Foundation will only fund young artists who are pursuing their studies or are in the early or developmental stage of their career, are working in a representational style of painting, drawing, sculpture or printmaking, and demonstrate the determination and talent to pursue a lifetime career in their art practice.
The Foundation does not provide funding for the pursuit of abstract or non-objective art.
Style & Discipline
Applicants must work within a representational style of painting, drawing, sculpture or printmaking. No other artistic activities or disciplines are funded.
The following, in particular, are not within the mandate of the Foundation and are not eligible for a grant: commercial art; graphic design; illustration; photography and any work that uses a photograph as the principal medium; animation; video art, film and digital art; crafts; decorative arts; and any work that falls primarily into these categories.
Applicants must be in the early stage of their career, either as a student or as an emerging artist in the process of launching their career. Grants are not intended as work or project grants for more experienced or mature artists.
The Foundation has no geographic, citizenship or residency requirements; its grants are available to eligible applicants from around the world.
Applicants must be at least 18 years of age to be eligible to apply and may not be older than 41 years of age at the time of submitting their application for a first grant.
Candidates who have previously received a grant may apply for a further grant after the age of 41, provided that they continue to meet all other eligibility requirements.
The Foundation welcomes applications throughout the year; there is no deadline for filing an application.
Previous Applicants / Grantees
Grantees who have complied with the terms and conditions of a grant previously awarded to them by the Foundation may apply for a second or third grant one year after (i) the award of their previous grant, or (ii) the rejection of their most recent application.
Applicants who have previously applied for, but not received, a grant may reapply two years after the date on which their previous application was rejected.
Applicants must be individuals applying on their own behalf; applications may not be submitted for the benefit or on behalf of any other person. Artistic groups, collectives and organizations are not eligible, nor are individuals permitted to apply on their behalf.
Please refer to the FAQs found on this website for further information on the Foundation’s eligibility requirements.
In order to apply for a grant, an applicant must use the application accessed from this site. No other form of application will be accepted.
Applications must be completed and submitted online. Applications submitted in any other manner, including by email, mail or otherwise, will not be accepted.
Applicants must provide all of the information and upload all of the material and documentation required for the application. This includes:
All documents and material (including the letter of reference) must be submitted in French or in English. Documents or material in another language must be provided to the Foundation in their original language, along with a French or English translation. An official translation of certain documents is required; these include all documents relating to the applicant's proof of identity, proof of acceptance to a program of study or training, where required, and the letter of reference.
Candidates may only access the application by creating an account and completing an eligibility questionnaire. Prior to creating an account, please carefully review all of the information found under "Eligibility" as well as in the FAQs found on this website to ensure that you are eligible to apply and understand our grant programme and how it works.
Click here to access the online application site.
Danielle Fontaine (Canada/USA, 2018) is showing her encaustic work in a personal exhibition, Pye Pond -- A Memoir, at West Main Artists Coop in Spartan, North Carolina from March 5 to 31, 2019.
Robert Jinkins (USA, 2018) recently received the Emerging Artist award at the Octagon Gallery All Media Show in Ames, Iowa; the works in the show are being exhibited from February 1 to March 30, 2019. Robert also took First Place at the Bradley International Print and Drawing Exhibition in Peoria, Illinois; the Exhibition is the second-longest running juried print and drawing competition in the United States.
Aubrey Levinthal (USA, 2013 / 2016) has a solo exhibition at Nancy Margolis Gallery in New York, New York from April 18 to June 1, 2019.
Sarah Gillespie (UK, 1985) has a forthcoming solo exhibition at Beaux Arts in London, United Kingdom. The show will run from April 11 to May 18, 2019.
Dana Kotler (Israel, 2015 / 2018) is part of a two-person exhibition, Excavation Sites, at the North Charleston City Gallery, in North Charleston, South Carolina from March 4 to March 30, 2019.
Emily Copeland (Canada, 2016) is having a solo exhibition of her drawings, Lineage, at Bernarducci Gallery in New York, New York from March 7 to April 6, 2019.
Zoey Frank (USA, 2013 / 2015 / 2016) is having a solo exhibition, Everyday, at Galerie Mokum in Amsterdam, The Netherlands from March 16 to April 14, 2019.
Ken Currie (UK, 1982) is having a solo exhibition, Red Ground, at Flowers Gallery London from February 22 to April 27, 2019.
Claire Sherman (USA, 2004) is exhibiting a new body of work in her solo show, New Pangaea, at DC Moore gallery in New York, New York from March 7 through to April 16, 2019.
Alex Wood (UK, 2015 / 2017 / 2018) has been selected as of the twenty semifinalists for the Royal Society of British Artists Rising Stars Rome Scholarship, a competition open to artists aged 35 years or under who live, work or study in the UK and whose work consists of figurative painting, drawing, printmaking or sculpture. The exhibition of works of the semi-finalists will be held at The Royal Over Seas League in Mayfair, London from April 25 to June 16, 2019. Alex has also been selected to exhibit his work Sputnik in The Royal West of England Academy Sculpture Open exhibition from March 16 to June 2, 2019 in Bristol, UK.
Marina Fridman (Canada, 2012 / 2016 / 2018) recently won the Manifest ONE Prize, an international prize funded created and funded through the Manifest Gallery of Cincinnati, Ohio, that awards US$5,000 and a solo exhibition. Her winning work, ‘Overview’, a drawing, was selected from 927 entries by 18 jurors across the U.S., and was shown at Manifest Gallery in December 2018 - January 2019. Marina has just completed a two-week invitational residency at Hamiffal Cultural Center in Jerusalem, Israel, and will be attending the Vermont Studio Center residency for four weeks this summer through a full fellowship.
Nava Gidanian-Kagan (Israel/USA, 2014) is having a solo exhibition, UNFOLDING, at The Jewish Museum of New Jersey in Newark, New Jersey. The exhibition will run from March 3 to May 5, 2019 and will feature a new body of work that includes paintings and bas-reliefs.
Stephanie Hier (Canada, 2018) is having a solo exhibition, Gridded And Girdled, at Y2K Group in New York, NY from February 16 to April 7, 2019. Stephanie was one of the finalists in the 2018 RBC Painting Prize Competition in Canada and has recently exhibited in Scotland, Italy and Belgium.
Yedidya Hershberg (Israel, 2016) and Zohar Fraiman (Israel, 2013) are among the 17 leading Israeli painters participating in an important group exhibition at the Petach Tikva Museum of Art in Israel. Keeping at Distance: On Intimacy in Contemporary Painting opens on March 14th and will run for 4 months. Zohar is also part of a group exhibition, VOIX , at the Museum of Fine Arts, Leipzig, Germany from February 20 to April 7, 2019.
The End Of The Chase, Nicholas Crombach’s (Canada, 2016) exhibition which opened in May 2018 at New Art Projects in London, United Kingdom, and traveled to Art Mûr in Berlin, Germany in August and September 2018, will be presented, with additional works, at Art Mûr in Montreal, Quebec from March 2 to April 27, 2019.
Sam Rachamin (Israel, 2018) was recently awarded the Prix Tony Tollet by the Association Tony Tollet in Lyon, France. Sam was one of the 14 finalists selected in the competition. The prize is awarded annually to a young artist under the age of 35 whose painting echoes the form and substance of Tony Tollet’s work in its realism, quality of drawing and sense of colour.
Kyle Scheurmann (Canada, 2018) has an upcoming solo exhibition at Elissa Cristall Gallery in Vancouver, British Columbia from May 1 to 31, 2019.
Flowers Contemporary III, an exhibition of important works by gallery artists held at Flowers Gallery New York, New York, from January 19 to March 23, 2019, features renown grantees Ishbel Myerscough (UK, 1991 / 1993 / 1999), Aleah Chapin (USA, 2012 / 2014 / 2018) and Ken Currie (UK, 1982).
Merle van Engelen (The Netherlands, 2016) is part of a group exhibition, Salon des artistes, being held from February 24 to April 30, 2019 at Gallery Wijnstraat in Dordrecht, The Netherlands.
Jelena Prljević (Serbia, 2017) will be having a solo exhibition of her works at Galerie Liusa Wang in Paris, France in June 2019.
Flora Yukhnovich (UK, 2013 / 2016) will be having her first solo show at Parafin Gallery, in London, UK from February 8 to March 30, 2019. In addition, Flora’s work is currently included in two group exhibitions:Telescope, curated by Nigel Cooke, at the Jerwood Gallery, Hastings, UK which will run alongside his show Painter’s Beach Club, from January 19 to March 24, 2019; and Dialogues/ New paintings from London, curated by Ben Tufnell and Radka Zahradníková, at Gask Museum in Kutna Hora, Czech Republic, until February 3, 2019.
Peter Harris (Canada, 2005 / 2012) is part of a group exhibition, Preview 2019, at Mira Goddard Gallery in Toronto, from January 5 to January 26, 2019. He will also be having a solo exhibition at Mira Goddard, Machines for Living, from March 30 to April 20, 2019.
Sanket Viramgami (India, 2017 / 2018) is exhibiting in the Painting, Sculpture and Printmaking Exhibition presented by Vis a vis Art Foundation at Kochi, India during the kochi-muziris Biennale, 2018 which is being held from December 12, 2018 to March 29, 2019.