The Elizabeth Greenshields Foundation was created in 1955 by Charles Glass Greenshields, Q.C., a distinguished Montreal lawyer and amateur artist, in memory of his mother, Elizabeth.
Mr. Greenshields considered discipline and serious training in the traditional means of artistic expression fundamental to the growth and development of the artist. Through his involvement with the artistic community, he saw how difficult it was for artists to obtain the financial support required to pursue their training. His determination to help emerging artists prompted Greenshields to establish a foundation dedicated to contributing to the development of artists of genuine distinction in their particular fields.
Charles Greenshields personally directed the Foundation that he created for the first 13 years of its existence and remained active in its organization until his death, in 1974. His vision and his mission live on through the foundation that he so generously endowed.
Mr. Greenshields wished to help and encourage serious art students, artists and sculptors who recognize that there is no short cut to competence and who evince a willingness to do the hard work and subject themselves to the discipline required for the mastery of their craft. He was also convinced that the mastery of their craft first required them to master the traditional means of artistic expression. As a result, he directed that the funds of the Foundation be used to help talented individuals in their formative years, to acquire the necessary training, skills and competence in the traditional artistic methods, specifically excluding all grants to students, artists or sculptors “who show clearly a disposition to use the purely abstract or non-objective method in their work.”
The philosophy outlined by Mr. Greenshields in his endowment has informed the mission of the Foundation over the previous 60 years and it continues to do so to this day.
The mission of the Foundation is to promote and encourage the acquisition and development by students and artists of the necessary training, skills and competence in the traditional means of artistic expression. The Foundation provides financial assistance, by way of grants, to students and artists in the early or developmental stage of their career who work in a representational style of painting, drawing, sculpture or printmaking and demonstrate a commitment to making their art a lifetime career. The Foundation does not provide funding for the pursuit of abstract or non-objective art.
The Elizabeth Greenshields Foundation grant is one of the most prestigious grants available to emerging figurative artists, as well as one of the most substantial. It is one of the longest standing, with an illustrious history of recipients spanning more than half a century. It is also unique in its scope, in that it is available to students and artists around the world.
To date, the Foundation has provided financial assistance to some 1800 students and artists in 40 countries. Its grantees are renowned artists, both nationally and internationally, as well as highly respected art professors, teachers and mentors. The Foundation is extremely proud of its grantees and of their accomplishments. A selection of the works of some of the Foundation’s previous grantees can be found in the Gallery.
First grants are in the amount of CAD $15,000 each. Subsequent grants are in the amount of CAD $18,000 each. Grants are made directly to the beneficiaries, not through other organizations. The Foundation reserves the right to award grants in other amounts and to disburse funds in whole or in part, as it deems advisable. Grantees may not receive more than three grants in their lifetime.
Grants are awarded based solely on the information contained in the Application Form and the supporting documentation and material submitted with it. The Foundation does not conduct personal interviews. The decision of the Foundation is final and is not subject to review or appeal.
“The generous support of The Elizabeth Greenshields Foundation has allowed me a year of focus, self-discipline, and creativity as I continue to explore my practice in the Masters of Fine Arts program at the Nova Scotia College of Art & Design. Your grant will allow me to continue to fund my artistic development in ways that would otherwise have been impossible.”— Elizabeth (Liz) Toohey-Wiese (2013 / 2014 Grantee)
“…The support I received from The Elizabeth Greenshields Foundation was fundamental early in my career as a painter. I couldn't have got my early shows done without the financial assistance of the Foundation. I was able to concentrate 100% on my paintings rather than constantly worry about finding the money to be able to paint for the exhibitions I'd been offered.”— Jenny Saville (1993 / 1996 Grantee)
“…Can I take this opportunity to express my profound gratitude to The Elizabeth Greenshields Foundation. The award allowed me to paint solidly, intensely and without interruption for over two years after leaving Oxford. That period kick-started my career in a way that I have never forgotten.”— Sarah Gillespie (1985 Grantee)
“Receiving your grant has enabled me to meet, befriend and learn from the largest living influence on my work. The grant has also allowed me to gain publicity, meet the family of another enormous influence, travel the world, and, of course, make many more paintings than I would have been able to without the Foundation’s generosity and kindness. I am forever indebted to you. The past year has felt like a dream. Words cannot adequately express my gratitude."— Matthew Adelberg (2013 Grantee)
“I am deeply grateful for the support of The Elizabeth Greenshields Foundation and am overjoyed to report the tremendous impact it has had on my artistic career over the past year. I have met or exceeded all of the goals I set for myself during this funding period. I have created a large body of work that represents a new phase in my artistic output. This work has also garnered the type of attention that means that the audience for my work has grown substantially, and will continue to grow in the future.”— Kristy Gordon (2009 / 2013 / 2015 Grantee)
The Gallery features a selection of the works of some of the grantees of the Foundation.
To see what our grantees are up to, click here.
Applicants must be in the early or developmental stage of their career, work in a representational style of painting, drawing, sculpting or printmaking and demonstrate a commitment to making their art a lifetime career. Applicants must be at least 18 years of age at the time of submitting their application.
The Foundation welcomes applications throughout the year; there is no deadline for filing an application.
Grantees who have complied with the terms and conditions of a grant previously awarded to them by the Foundation may apply for a second or third grant one year after the award of their previous grant. Applicants who have previously applied for, but not received, a grant may reapply after two years.
Only those applicants who work in a representational style of painting, drawing, sculpture or printmaking will be considered. The Foundation does not accept applications from commercial artists, graphic designers and illustrators; photographers; cartoonists; animation artists; video artists, filmmakers and digital artists; craft-makers; artists who work in the decorative arts; or any artist whose work falls primarily into these categories. The Foundation does not provide funding for the pursuit of abstract or non-objective art.
The Foundation has no geographic or residency requirements, grants are available to eligible applicants from around the world.
Applications must be completed online, then printed, dated and signed by the applicant, and submitted by mail. Applicants may not submit applications by fax, email, internet or other electronic means.
All information, supporting documentation and material required in the Application Form must be provided. Incomplete, unsigned or undated applications will not be considered.
The documents required include:
Images of six representative original works (no more or less) produced by the applicant alone in the last two years, on a USB key or a PC-compatible CD. Works submitted with each application, whether an application for a second or third grant, or a new application by an applicant whose previous application has been rejected, must be different from the works submitted by the applicant with any previous application(s). Images must be submitted in the required format (see the “Format of Images” section in the Instructions that accompany the Application Form). Material that is not formatted correctly will not be considered. The USB key or CD and the application must be submitted together, not under separate cover. USB keys or CDs submitted to the Foundation will not be returned.
All documents and material must be submitted in French or in English. Documents or material in another language must be provided to the Foundation in their original language, along with a French or English translation.
The Application Form may be accessed by clicking here.
Sophie Jodoin (Canada, 1999) is exhibiting the second chapter of Room(s) to move: je, tu, elle, curated by Anne-Marie St-Jean Aubre, at the MacLaren Art Centre, Barrie, Ontario from March 29 to June 17, 2018. The third chapter of Room(s) to move: je, tu, elle will be exhibited from June 5 to July 29, 2018 at the Musée d'art contemporain des Laurentides, in Saint-Jérôme, Quebec.
Elaine Despins (Canada, 2008) is part of a group exhibition, Figure and Space, at Atelier Galerie 2112 in Montreal, Quebec from May 3 to May 31, 2018.
Olivia Rozema (Canada, 2016) will be travelling to Ukraine with the Canadian Forces Artist Program this summer, for two weeks. She plans to develop a series of sculptures based upon the experience. The project will culminate with an exhibition at the Canadian War Museum in Ottawa, Ontario.
Nidhal Chamekh (Tunisia / France, 2012 / 2016) is participating in three upcoming group exhibitions: The Sea is the Limit, at York Art Gallery, York (UK) from May 4 to September 2, 2018; A Slice through the World, Contemporary Artists’ Drawings, at Modern Art Oxford, Oxford (UK) from June 16 to September 9, 2018; and Memory Matters, at Skissermas Museum in Lund, Sweden from October 4, 2018 to February 17, 2019.
Lantian D. (UK, 2015 / 2017) is having a solo exhibition, Hortus Conclusus, at Lingnan University, Hong Kong from April 25 to May 19, 2018.
Anne Desmet (UK, 1989 / 1996 / 2007) is exhibiting two of her wood engravings in RE Original Prints 2018, the annual exhibition of the Royal Society of Painter-Printmakers being held at the Bankside Gallery in London (UK) from May 18 to June 9, 2018. She is also currently exhibiting in Print REbels – Haden, Palmer, Whistler & The Origins of the RE, on view at Bankside Gallery until May 13, before touring to Fitzwilliam Museum, Cambridge; Bideford Museum & Gallery, Devon; and Aberystwyth School of Art Museum, Wales, until 2019.
Gianni Giuliano (Canada, 1997 / 2002) is exhibiting his newest works at Galerie Erga in Montreal, Quebec from May 30 to June 4, 2018. The show will also feature works by Giuseppe (Joe) Di Leo (Canada, 1985 / 1988) and Frank Mulvey (Canada, 1987 / 1989).
The Florence Academy of Art U.S. is presenting On Paper, An Exhibition of Drawings at its Jersey City location from April 29 to June 22, 2018. A total of 36 artists are included in the exhibition, including Steven Assael (USA, 1979 / 1990), Hollis Dunlap (USA, 2001 / 2003), Zoey Frank (USA, 2013 / 2015 / 2016), Michael Grimaldi (USA, 1999 / 2002), Irvin Rodriguez (USA, 2016) and Dan Thompson (USA, 1997 / 2001).
Joani Tremblay (Canada, 2018) has two upcoming exhibitions: a solo exhibition at Zalucky Contemporary in Toronto, Ontario from June 9 to July 14, 2018, and a group exhibition at Dateline gallery, curated by Aaron Mulligan, in Denver, Colorado from June 15 to July 22, 2018.
The Royal Society of Portrait Painters Annual Exhibition 2018 is being held at The Mall Galleries, London (UK) from May 10 to May 25, 2018. The works of several generations of grantees from the UK are included in the exhibition, including those of Jason Bowyer (1982), Emma Hopkins (2017), Allan Ramsay (1990), Melissa Scott-Miller (1985), Charlotte Sorapure (1991 / 1994), Robert (“Robbie”) Wraith (1975 / 1976) and Martin Yeoman (1979).
Nicholas Evans-Cato (USA, 2003) has an upcoming solo exhibition from May 15 to June 9, 2018 at George Billis Gallery, in New York, NY.
Meleko Mokgosi (Botswana / USA, 2017) has a solo exhibition, Bread, Butter, and Power, at the Fowler Museum of UCLA in Los Angeles, California through to July 1, 2018.
Aubrey Levinthal (USA, 2013 / 2016) is having a POP-UP Exhibit of her recent paintings at Nancy Margolis Gallery in New York, NY through to May 19, 2018.
Kristy Gordon (Canada 2009 / 2013 / 2015) will be exhibiting one of her paintings, "Gaze", in the Mod Portrait competition in Spain, first in Pablo Serrano IAACC Museum in Zaragoza, from May 30 to June 17, then at the MEAM Museum in Barcelona, from June 21 to July 29. Conor Walton (UK, 1994) won First Prize at the 2017 ModPortrait competition, an international competition which promotes figurative art.
The New English Art Club 2018 Annual Exhibition being held at The Mall Galleries in London (UK) from June 15 to June 23, 2018 includes UK grantees Richard Sorrell (1977), Martin Yeoman (1979), Peter Kuhfeld (1980), Jason Bowyer (1982), Jenny Wheatley (1983), Melissa Scott-Miller (1985), Bridget Moore (1985), Charlotte Sorapure (1991/1994), Sarah Spencer (1995) and Benjamin Sullivan (2003).
Alonsa Guevara (Chile / USA, 2013) is having a solo exhibition, Espíritu, from May 10 to June 16, 2018 at Anna Zorina Gallery in New York, NY.
Ambera Wellmann (Canada, 2014 / 2016 / 2017) is the subject of an article in the current edition of Border Crossings magazine. “La Belle et la Bête - Ambera Wellmann's Drawings,” by Meeka Walsh, examines a portfolio of five charcoal works on paper by the artist. Ambera’s work will also be exhibited in her upcoming solo exhibition at Projet Pangée, in Montreal, Canada from June 7 to July 21, 2018.
Anna Freeman Bentley (UK, 2018) has an upcoming solo exhibition at Ahmanson Gallery in Irvine, California. The show opens on March 17 and will run until June 15, 2018.
Nicholas Crombach (Canada, 2016) will be having a solo exhibition, The End Of The Chase, at New Art Projects, in London (UK) from May 3 to June 30, 2018.
The third instalment of NOW at the Scottish National Gallery of Modern Art (Modern One) in Edinburgh, Scotland will feature a major survey of works by Jenny Saville (UK, 1993 / 1996) spanning some 25 years of the artist’s career. The exhibition will run from March 24 to September 16, 2018.
Two celebrated Canadian grantees, Jack Chambers (Canada, 1955) and Marion Wagschal (Canada, 1975) are part of a current exhibition at the Montreal Museum of Fine Arts, Mnémosyne: Quand l’art contemporain rencontre l’art du passé. The show runs from April 12, 2017 to May 20, 2018.